The Museum of the City of New York (MCNY) holds what is arguably the most important collection of early graffiti art and ephemera, amassed by Martin Wong, a queer Chinese-American self-taught painter who wore cowboy hats and, for a time, paid for his lodging in a dingy Lower East Side hotel room by working as a night porter. Drawn to the bustling art scene of late 1970s New York, Wong developed a tight network of friends in what may have seemed like an unexpected community at the time: graffiti writers, who would eventually be recognized as creating an entirely new style of art, emulated in every corner of the globe.
Center: Chris “Daze” Ellis, “Phobia” (1983) (image courtesy Museum of the City of New York; Gift of Martin Wong, 94.114.22)
Right: Rammellzee, “Atomic Futurism” (1987) (image courtesy Museum of the City of New York; Gift of Martin Wong, 94.114.59)
At a time when society reviled graffiti artists as petty criminals, Wong began collecting their drawings, sketchbooks (or “blackbooks”), and eventually, paintings on canvas. He also painted moving,intimate portraits of the artists themselves. This was just one avenue he explored in his sprawling body of work, which ranges from detailed urbanscapes bustling with the life of the city, to surreal ceramics and scrolls influenced by traditional Chinese calligraphy.
Before his death due to complications related to AIDS in the 1990s, Wong donated his beloved graffiti collection to the MCNY. Many of its prized pieces by renowned graffiti artists including Futura 2000, Keith Haring, Lady Pink, Rammelzee, DAZE, and others are on view now in the exhibition Above Ground: Art from the Martin Wong Graffiti Collection.
This episode of the Hyperallergic Podcast was recorded during a live panel at the MCNY on March 10 celebrating Wong’s collection and life. Hyperallergic Editor-in-Chief Hrag Vartanian moderated the discussion between Wong’s longtime friend and roommate Lee Quiñones, P·P·O·W Gallery Co-Founder Wendy Osloff, and curator Sean Corcoran, who organized the exhibition.
In front of a crowd of some 100 Hyperallergic Members and their friends, the panelists shared stories of the singular artist, his love of collecting, and his extravagant storytelling. As Quiñones recalls, Wong once said, “Don’t let the truth get in the way of a good story.”
Above Ground: Art from the Martin Wong Graffiti Collection continues at the Museum of the City of New York (1220 Fifth Avenue, Upper East Side, Manhattan) through August 10.
Subscribe to the Hyperallergic Podcast on Apple Podcasts, and anywhere you listen to podcasts. This episode is also available with images of the artwork on YouTube.