When Art Imitates Wildlife

London’s Natural History Museum celebrated the 60th anniversary of its Wildlife Photographer of the Year (WPY) competition earlier this month. With over 59,000 entries from 117 countries to parse through for the 2024 competition, the WPY committee awarded 18 category winners and selected a total of 100 photos to include in the flagship exhibition now on view at the museum through the end of June.

While we at Hyperallergic can appreciate the invaluable biodiversity captured on a global scale through these photos, we couldn’t help but draw natural comparisons to the ever-growing art history canon — starting with the biblical story of David and Goliath, in this case rendered by 16th-century Mannerist painter Daniele da Volterra, which evokes the same energy of the victorious red wood ants making off with the hulking body of a deceased beetle in “The Demolition Squad” by Ingo Arndt (above). Some say that life imitates art, but from what we’ve seen, the truth of the matter is that art actually imitates wildlife!

Next up is Canadian photojournalist Shane Gross, who took the grand title for his energetic snapshot of tadpoles coursing through a lake in Vancouver Island that bears a strong resemblance to Dale Chihuly’s signature spiraling glass horns and globes. Chihuly’s chandelier in the rotunda at the Victoria and Albert Museum in London was an obvious comparison for its thematic color palette, but it’s also a needed reminder that there really is no competition with the luminosity and saturation found in nature.

Shane Gross Wildlife Photographer of the Year — Left: Shane Gross, “The Swarm of Life” — Adult Winner of Wildlife Photographer of the Year (© Shane Gross, courtesy the Natural History Museum in London); Right: Detail from Dale Chihuly’s “V&A Rotunda Chandelier” (photo by Tristan Fewings via Getty Images)

GettyImages 1263870219 — Left: Shane Gross, “The Swarm of Life” — Adult Winner of Wildlife Photographer of the Year (© Shane Gross, courtesy the Natural History Museum in London); Right: Detail from Dale Chihuly’s “V&A Rotunda Chandelier” (photo by Tristan Fewings via Getty Images)

Based in Germany, teenage photographer Alexis Tinker-Tsvalas managed to capture a springtail — no more than a tenth of an inch in size — face-to-face with the fruiting body of a slime mold from beneath a decaying log. The hexapod’s contemplation shares significant characteristics with the Ancient Greek mythological tyrant Sisyphus, who was cursed by the gods to push a boulder up a hill for eternity in the underworld. Thankfully for the springtail, there’s no eternal punishment in sight!

Alexis Tinker Tsavalas Wildlife Photographer of the Year — Left: Alexis Tinker-Tsvalas, “Life Under Dead Wood” — Winner, Ages 15–17 (© Alexis Tinker-Tsvalas, courtesy the Natural History Museum in London); Right: Black-figure amphora depicting Sisyphus pushing the boulder for eternity in the underworld (photo by Carole Raddato via Flickr)

Attic Black Figured amphora depicting the punishment of Sisyphus in Hades Staatliche Antikensammlungen Munich 8958117338 1 — Left: Alexis Tinker-Tsvalas, “Life Under Dead Wood” — Winner, Ages 15–17 (© Alexis Tinker-Tsvalas, courtesy the Natural History Museum in London); Right: Black-figure amphora depicting Sisyphus pushing the boulder for eternity in the underworld (photo by Carole Raddato via Flickr)

While I normally find seals to be very cute, this snapshot of an intrigued leopard seal in Antarctic waters is extremely unsettling. As in it may have been directly summoned from a Francis Bacon portrait …

Matthew Smith Wildlife Photographer of the Year — Left: Matthew Smith, “Under the Waterline” — Winner, Underwater (© Matthew Smith, courtesy the Natural History Museum in London); Right: Francis Bacon’s “Untitled (Pope)” at Sotheby’s in 2012 (photo by Peter Macdiarmid/Getty Images)

GettyImages 153654727 — Left: Matthew Smith, “Under the Waterline” — Winner, Underwater (© Matthew Smith, courtesy the Natural History Museum in London); Right: Francis Bacon’s “Untitled (Pope)” at Sotheby’s in 2012 (photo by Peter Macdiarmid/Getty Images)

I really may have outdone myself in terms of uncanny resemblances here. Compositionally, Sage Ono’s snapshot of tube-snout fish eggs gathered on the buoyancy bulbs of giant kelp in California’s Monterrey Bay National Marine Sanctuary directly mirrors that of Modigliani’s dual portrait of the Lipchitz couple. Both images keep an essence of neckline glamour as well!

Sage Ono Wildlife Photographer of the Year 1 — Left: Sage Ono, “The Serengeti of the Sea” — Winner, Rising Star Portfolio Award (© Sage Ono, courtesy the Natural History Museum in London); Right: Amedeo Modigliani, “Jacques and Berthe Lipchitz” (1916), oil on canvas, 32 x 21 1/3 inches (~81.3 x 54.3 cm) (via Wikimedia Commons)

1431px Amedeo Modigliani Jacques and Berthe Lipchitz Google Art Project — Left: Sage Ono, “The Serengeti of the Sea” — Winner, Rising Star Portfolio Award (© Sage Ono, courtesy the Natural History Museum in London); Right: Amedeo Modigliani, “Jacques and Berthe Lipchitz” (1916), oil on canvas, 32 x 21 1/3 inches (~81.3 x 54.3 cm) (via Wikimedia Commons)

The bond between mother and child is as sacred as it is instinctive — be it a baby toque macaque snuggling into its mother’s body, or Michelangelo’s rendition of Jesus post-crucifixion draped over the Virgin Mary’s lap in “Madonna della Pietà” (c. 1498–1499).

Hikkaduwa Liyanage Prasantha Vinod Wildlife Photographer of the Year — Left: Hikkadua Liyanage Prasantha Vinod, “A Tranquil Moment” — Winner, Behaviour: Mammals (© Hikkadua Liyanage Prasantha Vinod, courtesy the Natural History Museum in London); Right: Michelangelo, “Madonna della Pietà” (c. 1498–1499), marble, 68 1/2 × 76 4/5 inches (~174 cm × 195 cm) (via Wikimedia Commons)

2048px The Pieta by Michelangelo 48135182552 — Left: Hikkadua Liyanage Prasantha Vinod, “A Tranquil Moment” — Winner, Behaviour: Mammals (© Hikkadua Liyanage Prasantha Vinod, courtesy the Natural History Museum in London); Right: Michelangelo, “Madonna della Pietà” (c. 1498–1499), marble, 68 1/2 × 76 4/5 inches (~174 cm × 195 cm) (via Wikimedia Commons)

Now I need you to hear me out here … This next one might be a stretch.

This fabulously composed shot won young Alberto Román Gómez the title of Wildlife Photographer of the Year for ages 10 and under. With its stark lines, hanging chains, and minimal subject matter, I think we can also say he earned his photo a comparison to Piet Mondrian’s influential style:

If that wasn’t convincing enough, then the following will surely leave little to question. The endangered boto dolphins, known for their pink color and elongated snouts, are endemic to the Amazon River and its tributaries. In Thomas Peschak’s photo, a lone boto roams the shallow waters of a flooded forest scape that could very well be an extension of John Everett Millais’s “Ophelia” (1851–1852). One can only hope that the freshwater species doesn’t meet the same tragic fate …

Thomas Peschak Wildlife Photographer of the Year 1 — Left: Thomas Peschak, “Dolphins of the Forest” — Winner, Photojournalist Story Award (© Thomas Peschak, courtesy the Natural History Museum in London); Right: John Everett Millais, “Ophelia” (c. 1851–1852), oil on canvas, 30 x 44 inches (~76.2 x 111.8 cm) (via Wikimedia Commons)

1588px John Everett Millais Ophelia Google Art Project — Left: Thomas Peschak, “Dolphins of the Forest” — Winner, Photojournalist Story Award (© Thomas Peschak, courtesy the Natural History Museum in London); Right: John Everett Millais, “Ophelia” (c. 1851–1852), oil on canvas, 30 x 44 inches (~76.2 x 111.8 cm) (via Wikimedia Commons)

Onto the Highly Commended entries (which are winners, in my heart, at least) — Samual Stone’s “Precious Rocks” brought to mind none other than the cauldron-headed bird hybrid chowing down on a person pooping out flying birds, a detail from Hieronymus Bosch’s fantastic rendition of “The Garden of Earthly Delights” (c. 1490–1510):

Samual Stone Wildlife Photographer of the Year — Left: Samual Stone, “Precious Rocks” — Highly Commended, Behavior: Birds (© Samual Stone, courtesy the Natural History Museum in London)
Right: Detail from Hieronymus Bosch’s “The Garden of Earthly Delights” (c. 1490–1510) (image via Wikimedia Commons)

8192px Jheronimus Bosch 023 — Left: Samual Stone, “Precious Rocks” — Highly Commended, Behavior: Birds (© Samual Stone, courtesy the Natural History Museum in London)
Right: Detail from Hieronymus Bosch’s “The Garden of Earthly Delights” (c. 1490–1510) (image via Wikimedia Commons)

And last but not least, we have Georgina Steytler’s photographed observation of a cluster of male Dawson’s burrowing bees swarming a female in an effort to mate immediately conjured up Gustav Klimt’s “The Kiss” (1907–1908) in both color palette and general energy … I suppose I’ll put a pin in it right now before I start pontificating about how intersectional feminism may as well expand to be interspecies feminism — there’s always another time for that.